Writing Update: June Goals

May is gone and I managed to complete so many of my goals for May. I'm doing really well on my revisions for my novel, Hourglass. I'm hoping to call for beta readers by the end of next month. The one thing I'm struggling with is coming up with a back cover blurb. This might be due to the fact that I don't have everything figured out yet. I don't have an official outline (which I need to work on) and that's my goal for the weekend. I want to create a formal outline.

On top of the other things I need to work on, the formal outline will be key. I also realized that I was focusing on the wrong thing. Hourglass is my first character driven novel that I have ever written. Usually anything character driven is a subplot. This one is so heavily character focused. I overlooked that. This is all good to know for when create my outline and work on my blurb.

Another story I'll be working on is Survival Agreement. I'm giving the story an overhaul and hoping to polish it up a lot.

Well, I'd better mention my goals before I get a little bit ahead of myself. After this month, I'll only be posting goals bimonthly instead of every month.

June Goals

• Finish Editing Hourglass
• Finish Editing Survival Agreement
• Write the summary for Hourglass
• Look for Betas Readers for Survival Agreement
• Be more active on social media

Well, that looks like a good set of goals. I'll leave it at that for now.

Have a good month of June!

Character Driven vs. Plot Driven

It's amazing how many people don't know the difference between character-driven stories and plot-driven stories. It's pretty self explanatory. To make it as simple as possible, character-driven stories usually always deals with more of an internal focus. This is where the story is more about the character changes throughout the book more than the outside forces. Plot-driven stories are more external. The things happening around your character are what drives the story.

There should be a good mixture of both aspects in a novel but writers tend to lean heavily toward one compared to the other. Knowing which one you tend favor can really help you direct your story.

I'm the kind of person who tends to favor plot-driven stories especially for my fantasy and science fiction novels and novellas. I like  having the external conflict be the main drive of my story. Getting to a deep emotional level and having that drive it, is really hard for me but with the novel I'm currently revising for publication, I've discovered that it's heavily character-driven.

How can I tell? Well, my characters emotional and mental state are huge factors on what's going on around him. I color-coded my main plot, my series plots (over reaching plots) and my subplots. So when I outlined, I could see how it all fit. My character's emotional and mental state ended up being huge and crucial for the story and his development also becomes a cause of some of the events that happen in this series. (I will probably write a blog post about this Friday.)

If I had to compare it to my novella The Survival Agreement, I would have to say that they are completely different in terms of style. The story is being moved by the plot and the situations that my characters have to go through. Their internal conflicts aren't prominent. They are important but not heavily brought up. (Does that make sense?)

Normally, I write lists for these blog posts but I feel like this one is fairly simple. I mostly wanted to bring up this topic because I struggled creating an outline for my novel due to the fact that I didn't realize how character-driven it was. So, it's good to know your style.

Writing Short Stories When You Usually Write Novels

Writing a short story is something I feel like every writer should know how to do. It doesn't matter if you say that you "only write novels" because there is going to be a time where short stories are needed. Short stories have multiple purposes.

How Short Stories Might Benefit You:

• You want to give your readers a little extra. Your readers are important. I can't stress that enough. Sometimes giving them a little something extra isn't going to kill you. Writing a short story is a good way of doing that. Say you have a side character that your audience just loves. Why not give them a little short story in that side character's point of view. It doesn't have to be related to the original story but be sure to give it a plot on it's own.

• Helps you omit needless words. If you don't want to give into your readers, then at least use it as practice to omit needless words. It will force you to stay focused on the plot and try not to generate subplots, since it is a short story.

• It opens up other opportunities. Anthologies being one of them. Or for those who aren't published yet, short story contests. There are a lot of them. Anthologies and contests are a good way to get your name out there so use it to your advantage.

• You learn to gain control. This might sound a little weird but I was one of those people who would try to write a short story and ended up writing a whole damn novel. I learned to tone it down. It taught me how to control my story, keep things on the right path because your characters really don't have the control of the story, you do. When your character's veer off, that's you trying to explore your options or you just really have a hard time following your own directions. 

 I'm sure there are other ways that short stories can benefit but these are the immediate things that came to my head.

Now that we know how short stories can benefit you, lets move on to how to write one. I'm a novel writer. I know how hard it can be to cramp a story into a limited amount of words. But I learned.

For this short story contest I decided to enter, the guidelines for the story were:

• Any genre
• No more than 3,000 words
• Due November 31st

It was a pain in the ass.  I had a great story planned out but then I realized that it was too damn long. Something had to go but what? Everything varies for me. I don't always do the same method twice in a row but these are the basics of my process.

• Figure what I wanted from the story. That meant plot. I needed a small plot that had a lot of impact and could intrigue readers to continue. So knowing what I wanted for a general plot was important.

• Keeping characters limited. There are only two characters that the readers know the names of and one that everyone refers to as "Boss" but you don't get to know him as a character very well. Keeping characters limited means that you will have to not fill your story with a ton of characters. That will just make it drag. Keep the characters that have an important role. 

• Throw everything into an outline. I advocate outlines more than anyone I know. I love outlines. They are the way I keep everything in line. I even outline blog posts. By throwing what you have into an outline, I was able to establish three major parts of the story that were 1,000 words a piece and it was more than enough for what I was writing. It will also keep you from veering off into something that it shouldn't be.

• Write what's important. This is the only way I didn't go over the limited amount of words. I only wrote down what was important to this plot. When you have subplots or a series, you'll probably have to write a lot more than in a short story. Novels are more complex than short stories. I only have one plot for this story. Keep only what's important to the story. 

It might look like a lame little list here but it works for me. It's as simple as it can get really. It's a short story, after all.

Know Your Characters

Knowing your character is a must when writing your novel. They are usually a selling point to most stories since you want your readers to connect with them. So, you want to know all about your character and how they will react to things, to make them seem more believable.

This is a task that can happen differently for each character but for this post, it's about developing your main character.

• What is your character's name and age? These are pretty basic when it comes to writing but they can be important. Age will explain a lot of things about how they view things. How the world sees them. Their experiences as well. A 30-something-year-old is going to have way more experiences than a 16-year-old.

• What changed in their life that made this story important? I've read a lot about characters and this is a common thing that comes up. Something has to change in the character's normal life. So what made this change so much more different.

• What was their past like? Someone's past is important to who they are in your current novel. Even childhood scars can still effect them. Make connections with their personality and how it changed them.

• What kind of personality do they have? This connects with the past question. Something might have a huge influence on who they are in your novel. This is important to how they will react to certain instances in your novel. And make sure that you follow it. 

• Name some of their flaws. Flaws aren't the same as imperfections. You characters need to have flaws that will conflict with something in the story. It has to cause some kind of issues.

• What is their culture? Culture can have a big impact on who they are as a person or some of their strange habits.

• What do they look like? This one can be tough. You don't need to know every single detail of your character unless it's absolutely important. If their tattoo is nothing more than a mark on them when they got stupidly drunk and really has no purpose...then we don't really care. But if the tattoo becomes a mark that causes your character to become a target, then we might need to know about it. 

These are the absolute basics of what you need. Characters are another thing you want to develop as your write. You want them to grow. You want to learn somethings about them too. By giving them room to grow, you'll build a more realistic character.

The Importance of Outlining

Some people believe that outlining a novel or story isn't always important. The people who we call "Pantsers" as they are the ones who write by the seat of their pants. I used to be one of them until I discovered the wonderful thing called an outline.
An outline is basically a guideline for your book. You write down your scenes in order of how you want them in your book. Or you outline by chapter, it really depends on you as a writer. It's important for you to have one at some point in your writing process.

What outlines can do for you as a writer:

• They keep you from taking your characters down an unplanned road.  I don't know about you but some writers lose track of what they are writing. An outline is a way that you can keep your characters down the right road.

• You have a clear cut visual of your story. Sure there are still things that might surprise you here and there but not everything should be a surprise to you as the writer. What might come as a surprise is more of an epiphany moment. You finally figured out how to connect point B and C or something along those lines.

• Outlines can keep you from writing unnecessary scenes. This kind of goes with the first point. Outlines can keep you from writing filler scenes or anything that is unnecessary to the plot of your novel. If you follow your outline, you're sure to not write filler scenes. As long as you don't plot filler scenes (a post I'll get into later).

• It keeps you organized. Writing can be absolute chaos sometimes. You've got to research and figure out your characters and all sorts of things. Sometimes you have to create some kind of chart to figure out how your character(s) get from point A to point B or how object C connects with the suspect of your character. Having all of this in various places can be really hard to find. It's best to find a way to keep it all in one place. An outline is a nice way to keep it all right there, even if it's just a little note or however you add it to your outline.

•  It won't add unnecessary characters. This kind of goes along with the unnecessary scenes. Basically, anything that you don't need, it will help you keep them out of your story. It helps when you're editing so you don't have to trim them out later.

• It helps you explore new ideas for your story. This is one of my favorite things about outlining. It opens up new ideas and subplots for your novels. You will be able to see where a story will go if you changed a scene even in the slightest. You might even find a way to make your story stronger. 

• It's fun. Okay, this isn't why it's important but I feel like I should add it anyway. I love outlining my novels. There are so many ways to do it too. I do a lot of different things but I generally end up going back to the index cards. 

There are benefits to outlining. If you've never outlined a novel before, then you should consider trying one. Going about it is easy but you should try different methods to figure out which one suits you.

The Editing Process: Knowing What Went Wrong

Dowsers is one of the longest novels I've written and decided to edit. There are a lot of mistakes that I need to fix before this reaches other people. Aside from the normal grammar and spelling mistakes I have, I found several things wrong with my main and sub plots.

Going through it once was enough to force me to understand where I went wrong. Thankfully, there is no insta-love. Or love triangles (I hate them). The relationship between my characters is important for their development because my characters have problems. Don't all characters, though?

I do need to redo the ending. I'm terrible at writing endings and beginnings. This is something I'm going to have to work on because it's the most important part of the book. I can't having it being lame. That just won't do.

There is also a matter of my antagonist being slightly bipolar. He really shouldn't be that way. I mean, he's good at acting because that how he gets what he wants, but he isn't bipolar. So, that is on my list of things I need to fix.

Now, the plot. I've been playing with some other options that my plot has to offer to see if they work better. It might. I might have to figure out what works best - which offers the strongest plot. It's going to be a lot of work, but it will be worth it in the end.

Pretty soon, I'll have to do some trimming...and adding. Adding is the hardest parts editing but it has to be done.